The problem with ‘Stand Your Ground’
February 23, 2014 at 10:37 pm | Posted in Disinformation, Fairness, Judicial Misjudgment | 7 CommentsTags: ALEC, American Legislative Exchange Council, Facebook, George Zimmerman, gun control, guns, Jordan Davis, Mark Zuckerberg, Michael Dunn, Sierra Club, Stand Your Ground, Trayvon Martin

2007 photo copyrighted by Jeff Dean, and uploaded by hime to Wikipedia, which describes it as a compact semi-automatic Smith & Wesson .45 ACP Chief’s Special — Model CS45.
‘Stand your ground’ laws have figured in two recent cases in which young unarmed black men were shot and killed.
George Zimmerman killed Travon Martin, and Michael Dunn killed Jordan Davis.
In both cases, the killer’s excuse was that he thought that the young black man had a gun.
The problem with ‘stand your ground’ laws is that it is too easy to claim that you feared that the person you shot had a weapon, and was about to use it on you.
You can claim this even if it wasn’t true. You can make up your fear after the fact.
No one can ever disprove your claim, because it rests only on what you say you believed at the time. Your claim need not depend upon on any externally confirmable matter of fact.
This is one of the most easily-abused legal ideas of all time.
One of the leading pushers of ‘stand your ground’ laws is ALEC. Besides promoting ‘stand your ground’ laws, ALEC (the American Legislative Exchange Council) acts as a mouthpiece for those who see short-term financial gains in delaying recognition of human-caused global warming. According to the Sierra Club, Mark Zuckerberg recently had Facebook join ALEC, because he wants its support for some of his own agendas. (The Sierra Club is urging everyone to sign a petition asking Mark Zuckerberg to withdraw Facebook from that unscrupulous organization.)
Although it is obvious, it bears repeating: neither of the unjustified killings that were cited above would have occurred if the killer hadn’t happened to have a gun handy.
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What is Art?
February 13, 2014 at 5:29 pm | Posted in Brain and mind | Leave a commentTags: advertising, advocacy, architecture, Art, artist, beauty, Brain, ceremony, comic book, dance, design, drawing, entertainment, erotica, fantasy, fashion, fiction, graphic novel, literature, mental mirroring, mind, music, non-fiction, painting, rhetoric, ritual, sculpture, sports, urban design, web design

Alfred Sisley, The innondation at Port Marly, painted 1876. Presently in le Musée des beaux-arts de Rouen.
Art is anything that is contrived to elicit strong sensations in ourselves or in others.
What makes a deliberately created something into art, is that it is evocative.
That means that it resonates with something in the viewer’s or hearer’s brain, like a wine glass resonating to the sound of a violin, or a window of a house resonantly vibrating – buzzing – to the sound of a motor.
Anything that tries to play, like a musical instrument, the nervous systems of those who are exposed to it, is art.
That includes painting, sculpture, architecture, dance, acting, literature, and rhetoric (in its classical, general, not-necessarily-pejorative meaning): speeches, persuasive writing, informative writing, advertising, and even demogoguery.
But each brain is different – different experiences, different wiring- so what is evoked is different.
To some extent the impact of a work of art is measured not by what is evoked in each person, but by how many respond, and how strongly.
Here is a list of artistic activities. Many of them are not usually thought of as being artistic. Some give pleasure, others are deliberately unpleasant. Some are evil. But in each case you should easily be able to identify the presence of the defining characteristic of art, namely, the deliberate attempt to play the brains of the audience as if those brains were musical instruments. In some cases the intended audience is just the artist. The redundancies in the list are there to better make a point.
– Humor, including stand-up comedy and informal jokes
– Circus acts
– Performing astounding feats for films or for on-line videos (attempts to impress or amuse, or to do both at the same time)
– Thoughtful photography
– Music, drawing and painting, sculpture, dance
(includes feats of art that are designed to impress as well as to please or inform: items featured on the Twisted Sifter, Cirque de Soleil)
– Fiction and expository non-fiction (written, or acted, or cartooned)
– Comic books, graphic novels, cartoon films
– Textbooks, instructional materials, user’s manuals,
– Web interfaces, other digital interfaces (such as those to an operating system or a programming language)
– All rhetoric in the classical non-pejorative sense: speech or other media that are designed to persuade
– Religious tales (Abraham and Isaac, David and Goliath, the birth, life and crucifixion of Jesus, Mohammed on a flying horse)
– Political claims, both true and false
– Demagoguery
– Advertising
– The deliberate giving of sexual or other sensual pleasure (to one’s self or to another), e.g., sensual massage, masturbation, erotica, sexual fantasies
– Its opposite: the deliberate imposition of pain, e.g., torture
– Fantasies, daydreams (but not involuntary dreams)
– Dressing for effect, couture, make-up
– Planning and hosting a party or other event
– Interior design and decoration, architecture, landscape design
– The design, crafting and wearing of costumes, dressing up (including for Halloween), jewelry
– Sports, including gladiatorial sports (boxing, wrestling, mixed martial arts)
– Ceremonies, rituals
– Public punishment (including executions)
– All entertainment
– The shock-and-awe component of terrorist acts (another type of attempt to impress)
– Intimidation, bullying
Clearly, we are an artistic species.
Clearly, not all art is benign.
All art is manipulative, even when the person being manipulated is the artist/daydreamer/fantasist.
Not all art has humans as its intended audience. Art for pets and other non-human animals: pleasant environments for pets (wheels and tunnels and hiding places in a cage for hamsters), the design and operation of of zoos, …
In the future, not all art will have biologically evolved beings as its sole intended audience. There will even be art and entertainment for autonomous robots.
Any deliberate attempt to strum the strings of a brain as if they were the strings of a musical instrument is art. The brain may be the artist’s own, or someone else’s, or both. The brain may be biological or artificial (designed).
But not all such attempts attain their goal.
If an attempt does attain its goal, it is good as art, whether or not it is also good ethically and morally.
All art requires the artist to mentally mirror the minds in the intended audience.
For such an attempt to resonate with the brains of a wide audience, the ‘musician’ and the audience must share a culture, or mental mechanisms (e.g., adult humans affecting human babies or animals, or animals affecting animals), or the musician must at least be familiar with how the members of the target population respond.
Some non-contrived stimuli elicit the same sensations as art: sunsets, scenery, a flower, a baby, a puppy or a kitten. They elicit the same stimuli as art, because they share parts of the same processing paths in the brain.
Because we live at a stage of evolution when we are familiar with the concepts of an artist and of art, those sensations may also make us feel to that the evocative stimuli were created by an artist.
To a being who had not been exposed to the concept of an artist, the same stimuli might be just as evocative, without suggesting that they were due to an artist.
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